Anne-Marie // Festival Run
Anne-Marie // Festival Run
About This Work
Hot on the heels of Anne-Marie's sell out UK and Ireland tour, the Festival Run - which included Capital's Summertime Ball at Wembley Stadium and Radio 1's Big Weekend - needed a creative rethink. We know that a tour audience buys a ticket to see a very specific artist. A festival audience doesn't. So I knew we were performing to a crowd beyond Anne-Marie's core fanbase. On top of resetting areas of the show for a daylight performance and a stage that will be shared with other performers, I reworked staging and choreography to grab a diverse audience in the first 30 seconds of lights up. The goal was to make sure that if audience members weren't fans of Anne-Marie walking in, they would be on their way out.
Event Type
Live Festival Tour
Scope of work
/
Choreography
/
Movement Direction
/
Casting
Timeline
3-Weeks
About This Work
Hot on the heels of Anne-Marie's sell out UK and Ireland tour, the Festival Run - which included Capital's Summertime Ball at Wembley Stadium and Radio 1's Big Weekend - needed a creative rethink. We know that a tour audience buys a ticket to see a very specific artist. A festival audience doesn't. So I knew we were performing to a crowd beyond Anne-Marie's core fanbase. On top of resetting areas of the show for a daylight performance and a stage that will be shared with other performers, I reworked staging and choreography to grab a diverse audience in the first 30 seconds of lights up. The goal was to make sure that if audience members weren't fans of Anne-Marie walking in, they would be on their way out.
Event Type
Live Festival Tour
Scope of work
/
Choreography
/
Movement Direction
/
Casting
/
Arena Tour
Timeline
3-Weeks


About Kloé
About Kloé
I’m a Choreographer, Creative Director and Movement Director based in London and working globally. I build large-scale live shows, film and brand work with one aim: to make an audience feel something they haven’t felt before. I lead the whole thing, from the first idea to the final step, and I work direct, so the person you talk to is the person who makes the work.
I’m a Choreographer, Creative Director and Movement Director based in London and working globally. I build large-scale live shows, film and brand work with one aim: to make an audience feel something they haven’t felt before. I lead the whole thing, from the first idea to the final step, and I work direct, so the person you talk to is the person who makes the work.
If you’re planning something and you don’t want the obvious version of it, that’s exactly where I do my best work. Click here to tell me what you’re building. The bigger the ambition, the earlier you’ll want me in the room.
If you’re planning something and you don’t want the obvious version of it, that’s exactly where I do my best work. Click here to tell me what you’re building. The bigger the ambition, the earlier you’ll want me in the room.
Let’s talk about it.
Tell me what you’re building. If it’s the kind of thing nobody’s done before, we’ll get on well.
Get me. Directly.
No account manager, and no middle layer. The person you're messaging is the person who makes the work.
Get clear. Early.
Whether your idea's ready, what it'll really take, and what could make it unforgettable. Before anyone spends a penny.
Let’s talk about it.
Tell me what you're building. If it's the kind of thing nobody's done before, we'll get on well.
Get me. Directly.
No account manager, and no middle layer. The person you're messaging is the person who makes the work.
Get clear. Early.
Whether your idea's ready, what it'll really take, and what could make it unforgettable. Before anyone spends a penny.
Let’s talk about it.
Tell me what you're building. If it's the kind of thing nobody's done before, we'll get on well.
Get me. Directly.
No account manager, and no middle layer. The person you're messaging is the person who makes the work.
Get clear. Early.
Whether your idea's ready, what it'll really take, and what could make it unforgettable. Before anyone spends a penny.



