Little Simz // Flood
Little Simz // Flood
About This Work
This felt more like a film than a music video to me. A story told through a layered, dynamic approach, shot on film in black and white, and the quality was next level. Simz plays a Matador surrounded by fellow Matadors and mythical creatures, enduring trials and tribulations but remaining unstoppable. We built powerful, repetitive movement motifs that landed as key moments across the journey of the song, along with set pieces capturing these mythical creatures emerging from within Simz to protect her. There were intimate close-up performance frames, poignant tableaux, and full-out theatrical ensemble choreography that crescendoed into an epic finale. I also worked with Obongjayar and Moonchild Sanelly on their movement direction as the featured artists on the track, grounding them in potent cutaways as observers, almost like storytellers to what was unfolding. Key Nominations and Awards for "Flood": • MOBO Awards (2026): Nominated for Video of the Year. • UK Music Video Awards (2025): Nominated for Best Hip Hop / Grime / Rap Video – UK and Best Performance in a Video. • Berlin Music Video Awards (2025): Nominated for Best Director. • Cannes Lions (2025): Won Silver for Excellence in Music Video. • D&AD Awards (2025): Won a Wood Pencil for Direction and was shortlisted for Cinematography. • Shots Awards EMEA (2025): Won Silver for Music Video of the Year. • Clio Awards (2026): Won Bronze for Directing. • British Arrows Awards (2026): Won Bronze.
Event Type
Music Video/Pop Promo
Scope of work
/
Choreography
/
Movement Direction
/
Casting
About This Work
This felt more like a film than a music video to me. A story told through a layered, dynamic approach, shot on film in black and white, and the quality was next level. Simz plays a Matador surrounded by fellow Matadors and mythical creatures, enduring trials and tribulations but remaining unstoppable. We built powerful, repetitive movement motifs that landed as key moments across the journey of the song, along with set pieces capturing these mythical creatures emerging from within Simz to protect her. There were intimate close-up performance frames, poignant tableaux, and full-out theatrical ensemble choreography that crescendoed into an epic finale. I also worked with Obongjayar and Moonchild Sanelly on their movement direction as the featured artists on the track, grounding them in potent cutaways as observers, almost like storytellers to what was unfolding. Key Nominations and Awards for "Flood": • MOBO Awards (2026): Nominated for Video of the Year. • UK Music Video Awards (2025): Nominated for Best Hip Hop / Grime / Rap Video – UK and Best Performance in a Video. • Berlin Music Video Awards (2025): Nominated for Best Director. • Cannes Lions (2025): Won Silver for Excellence in Music Video. • D&AD Awards (2025): Won a Wood Pencil for Direction and was shortlisted for Cinematography. • Shots Awards EMEA (2025): Won Silver for Music Video of the Year. • Clio Awards (2026): Won Bronze for Directing. • British Arrows Awards (2026): Won Bronze.
Event Type
Music Video/Pop Promo
Scope of work
/
Choreography
/
Movement Direction
/
Casting
/
Music Artist


About Kloé
About Kloé
I’m a Choreographer, Creative Director and Movement Director based in London and working globally. I build large-scale live shows, film and brand work with one aim: to make an audience feel something they haven’t felt before. I lead the whole thing, from the first idea to the final step, and I work direct, so the person you talk to is the person who makes the work.
I’m a Choreographer, Creative Director and Movement Director based in London and working globally. I build large-scale live shows, film and brand work with one aim: to make an audience feel something they haven’t felt before. I lead the whole thing, from the first idea to the final step, and I work direct, so the person you talk to is the person who makes the work.
If you’re planning something and you don’t want the obvious version of it, that’s exactly where I do my best work. Click here to tell me what you’re building. The bigger the ambition, the earlier you’ll want me in the room.
If you’re planning something and you don’t want the obvious version of it, that’s exactly where I do my best work. Click here to tell me what you’re building. The bigger the ambition, the earlier you’ll want me in the room.
Let’s talk about it.
Tell me what you’re building. If it’s the kind of thing nobody’s done before, we’ll get on well.
Get me. Directly.
No account manager, and no middle layer. The person you're messaging is the person who makes the work.
Get clear. Early.
Whether your idea's ready, what it'll really take, and what could make it unforgettable. Before anyone spends a penny.
Let’s talk about it.
Tell me what you're building. If it's the kind of thing nobody's done before, we'll get on well.
Get me. Directly.
No account manager, and no middle layer. The person you're messaging is the person who makes the work.
Get clear. Early.
Whether your idea's ready, what it'll really take, and what could make it unforgettable. Before anyone spends a penny.
Let’s talk about it.
Tell me what you're building. If it's the kind of thing nobody's done before, we'll get on well.
Get me. Directly.
No account manager, and no middle layer. The person you're messaging is the person who makes the work.
Get clear. Early.
Whether your idea's ready, what it'll really take, and what could make it unforgettable. Before anyone spends a penny.



