Yazoo // Commercial
Yazoo // Commercial
About This Work
This was such a fun process. I loved creating this movement while being able to inject humour, and it's always important to be intentional with movement and to hit the timing and camera shots precisely in order for the humour to land - especially for audiences watching this Yazoo Ad. It was integral for my work to ensure the talent built a genuine connection during the process to create a believable relation and rhythm on screen. Short and sweet but so effective. The framing of the performers being sat in the car meant we only had the upper body to work with which was a great challenge and a chance to utilise hand gestures, facial movement expression and directional shifts of taking up space within such a confined area.
Event Type
Brand advertising shoot
Scope of work
/
Advertising
/
Brand
/
Assistant Choreography
About This Work
This was such a fun process. I loved creating this movement while being able to inject humour, and it's always important to be intentional with movement and to hit the timing and camera shots precisely in order for the humour to land - especially for audiences watching this Yazoo Ad. It was integral for my work to ensure the talent built a genuine connection during the process to create a believable relation and rhythm on screen. Short and sweet but so effective. The framing of the performers being sat in the car meant we only had the upper body to work with which was a great challenge and a chance to utilise hand gestures, facial movement expression and directional shifts of taking up space within such a confined area.
Event Type
Brand advertising shoot
Scope of work
/
Advertising
/
Brand
/
Assistant Choreography


About Kloé
About Kloé
I’m a Choreographer, Creative Director and Movement Director based in London and working globally. I build large-scale live shows, film and brand work with one aim: to make an audience feel something they haven’t felt before. I lead the whole thing, from the first idea to the final step, and I work direct, so the person you talk to is the person who makes the work.
I’m a Choreographer, Creative Director and Movement Director based in London and working globally. I build large-scale live shows, film and brand work with one aim: to make an audience feel something they haven’t felt before. I lead the whole thing, from the first idea to the final step, and I work direct, so the person you talk to is the person who makes the work.
If you’re planning something and you don’t want the obvious version of it, that’s exactly where I do my best work. Click here to tell me what you’re building. The bigger the ambition, the earlier you’ll want me in the room.
If you’re planning something and you don’t want the obvious version of it, that’s exactly where I do my best work. Click here to tell me what you’re building. The bigger the ambition, the earlier you’ll want me in the room.
Let’s talk about it.
Tell me what you’re building. If it’s the kind of thing nobody’s done before, we’ll get on well.
Get me. Directly.
No account manager, and no middle layer. The person you're messaging is the person who makes the work.
Get clear. Early.
Whether your idea's ready, what it'll really take, and what could make it unforgettable. Before anyone spends a penny.
Let’s talk about it.
Tell me what you're building. If it's the kind of thing nobody's done before, we'll get on well.
Get me. Directly.
No account manager, and no middle layer. The person you're messaging is the person who makes the work.
Get clear. Early.
Whether your idea's ready, what it'll really take, and what could make it unforgettable. Before anyone spends a penny.
Let’s talk about it.
Tell me what you're building. If it's the kind of thing nobody's done before, we'll get on well.
Get me. Directly.
No account manager, and no middle layer. The person you're messaging is the person who makes the work.
Get clear. Early.
Whether your idea's ready, what it'll really take, and what could make it unforgettable. Before anyone spends a penny.



